The Anglebury draws its name from Hardy’s coastal town in The Hand of Ethelberta, a place of refinement meeting the sea. Its curved frame and relaxed proportions make it as suited to a seaside retreat as to a London townhouse.
It is the least traditional wingback here — a mid-century interpretation, with wings that sweep back rather than curl forward, arms that angle outwards, and splayed tapered oak legs lifting the whole frame clear of the floor. Where the Budmouth is a fireside chair, this one belongs to a lighter, more modern room.
At 108cm tall it has real presence, but the raised legs and open base keep it from feeling planted. That combination — tall but visually light — is unusual and is the main reason to choose it over the others in this group.
The pale oak leg is worth factoring into the fabric choice. Lighter plains, textures and soft checks sit naturally with it; very dark or heavy cloths fight the wood.
Designed in York, handcrafted in Nottingham. Made to order in 10–12 weeks, with free fabric samples posted before you order.
